Script Consultant, Philosopher & Psychologist.

I had a really enjoyable, rewarding and life affirming meeting today with Britt Harrison and my producers. We met up to discuss the feature length version of The Infectious Imagination Of Henry Bramble and to iron out any noticeable issues with my developing ideas for the film before they did any serious damage.

I have worked with several script editors over the years, but Britt is the first one to really delve deep into the writer's life in order to find the clues that will solve the story issues and clarify the writer's intentions. In doing so she helps you focus your ideas so that you can write the story you want to write. Too often script editors find solutions to make the story work without finding out first why the writer wants to write this particular story.

I am confident that I now know what I am writing and why. They say 'always write from the heart' and it appears I have done exactly that. I can't believe how personal this story is to me and that subconsciously I have managed to write so much of it with such clarity and truth. The session was so intense and exhilarating that I barely noticed that I was suffering from a heavy cold.

I have thus been set a ridiculous challenge - to complete a first exploratory draft screenplay by the 21 July 2012 (my Wedding Day). Can it be done? Well I never thought I could shoot the short in 3 days, so never say never! ...gulp!

Britt's incredibly useful 'story map' created during our discussions.

Selected for the Creative Business Base

I am pleased to announce that my creative team from Henry Bramble (Myself, Charlotte Wontner and Annabel Bates) have been offered a place on a free six month creative and business development programme devised by Screen South, Maidstone Studios, Peter Jones Academy and Amersham & Wycombe College. The programme will cover subjects including:

• Script and Project Development 
• Legals and contracts 
• Entrepreneurial mind-set and skills 
• Planning and Pitching 
• Creative Business - planning and development 
• Sources of Funding and Finance 
• Single project and Business Investments 
• Ways to market (Traditional vs. new media including social networks) 
• Sales Distribution Exhibition – what are they looking for? 
• Working with the global markets UK and International 
• Understanding exploitation potentials of projects (IP) 
• Use of new medias and IP 
• E-marketing and promotion

Over the next six months there will be fortnightly seminars, master classes, continuing script development, bespoke one to one meetings and training days, with daily access to hot desks, phones, internet and a meeting space at The Maidstone Studios. The programme concludes with all 8 teams pitching both their projects and businesses in London with top industry financiers, producers and business angels.

Sounds a bit like The Big Pitch all over again, except there will be no audience vote to stop us this time!

The Clues to a Great Story

Found a another great TED talk on storytelling by Andrew Stanton (Finding Nemo, Wall-E). 

Prometheus has all the signs of a modern cinema classic

I'm growing more and more excited about Ridley Scott's 2012 prequel to his 1979 sci-fi horror classic Alien. It stars two of my favourite actors, Noomi Rapace who played the original 'Girl with the Dragon Tattoo' and Idris Elba from the BBC's excellent crime drama Luthor.

From the trailers it appears that Ridley has managed to successfully create an original new angle on the franchise while still retaining the feel and atmosphere of the original. If he succeeds then he will have thankfully disassociated it's previous disjointed sequels while at the same time reinforcing his original vision.

This is the perfect kind of film to utilise 3D technology as an additional storytelling tool to create a more immersive cinematic experience and I am sure Prometheus will be a breathtaking journey, sitting beautifully alongside his original classic.

Script meeting for Henry Bramble ...the feature film!

While we wait in limbo for the visual effects team to get moving on the short, I met up with the producer Charlotte Wontner and Script Editor Vicki Jung this afternoon to flesh out my ideas for the feature film version of The Infectious Imagination Of Henry Bramble.

The key questions that I wanted to discuss in expanding the short was what Henry's journey would be and how that would link into the reason why Henry's mother has to abandon her son with an estranged relative.

In the short film it is really the uncle's story, as he discovers, through Henry, how to imagine again. Henry doesn't really change throughout the film he simply represents the wonderful innocence and wild imagination of children. For the 90 minute children's feature film however Henry has to have a strong character arc if he is going to be the central character.

From the original set up of the short it was clear that the problems Henry must face would stem from his absent father and all tie in with why his Mother has to abandon him suddenly. During our meeting we bounced many ideas and possibilities, but agreed on some basic foundations for the film.

I'm not going to give too much away, but the main thematic thread of the story will be about the importance of telling stories and that sometimes they can be powerful enough to save lives. Everything that happens in the film all stems from and connects together by this theme. If you have had the opportunity and the patience to read all 700+ pages of Storytelling - The 7 Basic Plots, then you will know how very important storytelling is to Man's very existence. If you haven't read it then I recommend you find a copy. It is truly mind-blowing stuff.

The feel and style of Henry Bramble is comparable to the wonderful Narnia films, but rather than setting it in World War II (and therefore being in danger of being accused of copying these stories), it was important to come up with an equally dark but contemporary backdrop that directly threatens Henry's future and sets it apart from any other children's story that has gone before. I am pleased to say I think we have achieved this, but rest assured, as in all good children's storytelling, there is an uplifting conclusion, but for now my lips are sealed.

How does a Voydarkatron walk?

The latest update from the Visual Effect Research Lab in Dundee are some crude but very cool test animations on how the Voydarkatron moves. This one is of him strolling through the forests. The video really needs to be set to loop to get a proper feel for the creature.

Voydarkatron Update

Just had a great Skype meeting with Adam Thomson (the vfx animation director at VERL) to get an update on the VFX progress with the cgi Voydarkatron. When you see his desktop you quickly comprehend why it takes so long to create these fantastic monsters.

Adam showed me some rough modelled stances that could be used in the film, one being a collapsed and dying Voydarkatron. He looks scary from every angle and despite his bulk, is much more versatile in his movements than I expected. He can tower over you like King Kong protecting his territory or stoop low in a hunting/feeding poise that is reminiscent of walking bats or scavenging birds of prey. I can't wait to see it all fully rendered.

In the next few days I should be getting sent through some crude animated models that I can drop into the edit which will be extremely helpful to myself in fine tuning the editing in these scenes and for the sound designer as he will be able to get a real sense of the danger, weight and movement of the creature.

Houston we have a problem!

When my fiance shouted down the stairs that Whitney Houston was dead, I was perplexed why there was no sudden reaction in me. I was a big fan growing up, spending many hours pining over girls at school, lying on my bed with my walkman on, letting Whitney increase the pain in my heart with that incredible voice of hers.

My fondest memories of her however, was in the film The Bodyguard. I was studying in Harrogate at the time, working at the local ODEON in the evenings and as a result watched the film many times. I'm not embarrassed to say it is a favourite of mine. This is not as surprising as it first sounds. My two favourite films of all time are Raiders Of The Lost Ark and The Empire Strikes Back, both were written by The Bodyguard screenwriting legend Lawrence Kasdan. My favourite songs from this film soundtrack are 'I Have Nothing' and 'Run To You'. She sounds so sincere and vulnerable in them and it often makes me wonder how similar her real life was to her character in the film.

I never really followed the gossip about her troubled marriage and addictions and so I was shocked when I saw her appear on the X-Factor recently. I didn't recognise her. At that moment it seemed clear to me that the Whitney I loved and respected had died a long time ago. I imagine this is the reason why I felt little emotion on hearing the tragic news. However, as the days have passed, I have had time to reflect on her music and the impact she had on me growing up and I now feel genuine sadness for her. I will always remember Whitney Houston as the beautiful, talented singer who starred in the The Bodyguard.

Film poster design ideas for Henry Bramble

This is my photoshop version of the sketch below. I'm pretty happy with the layout  and text positioning I just hope I can come up with a more exciting and creative montage for the imaginary top half.

This was my favorite of four rough sketches I did to help me focus on my ideas for the film poster. It is based on a combination of a Son Of Rambow quad poster design that was never used, the Sugarland Express quad poster and the international one sheet of The Imaginarium of Dr Parnassus.

Cut 3 - The Cannes friendly version

Henry is left alone in a cold dusty attic room.

Okay so just when I thought I could cut no more out of the film without destroying the emotional impact of the story, I managed to get Henry Bramble down to an incredible 14 minutes and 40 seconds, leaving 20 seconds to fit all the credits in.

Why so precise I hear you say, well Cannes and many other film festivals won't except short films over 15 minutes. I had a meeting a few weeks back with my producers and agreed to try and get the 18 minute film down to 15. I insisted on being brutal about it, but was still convinced I'd never get close to 15 minutes.

To my surprise much of the process was simply removing time wasted by characters travelling from A to B. Often it worked better as a jump cut instead. There was very little cut out that I missed. Some cuts I worry are a fraction too fast for a fresh audience to keep up with, so I may extend these by a second or two, but I'm going to test screen it to a few kids and close critical film friends and see what the results are.

Whatever happens I think we will have a film that will be short enough for Cannes. The only question is whether the VFX boys up at Dundee can deliver everything in time.

Raygo Rattlegum helps Henry Bramble hunt for a Voydarkatron.