Tuesday, June 19, 2012

JAWS - back on the big screen!


I went to see Jaws this afternoon at my local Cineworld for a mere £5.40 instead of the excessive £11 it cost to see Prometheus (which although was visually stunning, was also frustratingly disappointing. It had far too many story flaws for an experienced filmmaker like Scott not to notice, all which could have easy been solved).

It was a sheer pleasure to finally see Jaws on the big screen and looking so clean and crisp. I was only three when it was originally released and it's odd to think I am experiencing a better picture and sound than audiences would have  done back in 1975.

The first half of the film is perfect in its set up, not a frame is wasted, constantly feeding you information that helps build up the enormous pressure Brody is under from residents, the mayor and his family (and this is even before they know they have a genuine shark problem).

I became aware of just how clear cut 'the point of no return' for Brody is. When his kids come too close to being eaten themselves, the shark problem becomes personal for Brody. This is the moment he has to man up, set aside his fears of the water and go and get that son of a bitch once and for all. The momentum and drive built up here is so satisfying.

Having recently become a father I was also surprised how much more upset I was with certain moments in the film. The second victim, a little boy on yellow raft, is harrowing to watch, not so much his attack, but his poor mother who slowly realises her son never made it to the shore. Then later when Brody has just uncovered a shark prank, a girl shouts 'Shark!' He almost dismisses it but then remembering his kids are in the pond we see his reluctant walk turn into a full and desperate run. It is every parents worst fear.

Another amusing but subtle moment I don't remember noticing before is when the three men are relaxing and drinking inside the Orca. Richard Dreyfus and Robert Shaw are revealing to each other their scars. Brody desperately wants to join in and glances down under his shirt at a past injury only to decide it is not impressive enough. It is brilliant storytelling!

Unlike most of the current summer blockbusters, even after 32 years JAWS is still an incredibly satisfying film to watch and well worth the price of even a 3D film ticket.

Saturday, June 16, 2012

Voydarkatron is alive!

For the last few months I have been getting weekly updates from VERL, the VFX team up in Dundee, that consist of fairly crude Voydarkatron CGI model animations. I then have to make detailed comments on them in terms of the relevant action for each shot and the believability of the movement. We are finally coming to the end of this part of the process and so I thought I'd show you a short teaser of the way the animated beast moves.


This update was particularly exciting because in this weeks Dropbox VFX file there was a very short clip of an almost fully rendered Voydarlatron with motion blur.

I had no idea it was coming so when the clip opened up and played, I sat up transfixed. In front of me was a creature that actually looked real and blended seamlessly into the back plate we filmed on location.

On closer inspection you can see there are details still to be done, but for a test shot, I hadn't seen anything as exciting since I saw a fully rendered Jar Jar Binks a year before the release of Episode One (except the Voydarkatron will hopefully be received a little more positively by the general public). Unfortunately for you I'm not going to reveal this just yet, but here's a Voydarkatron eye test to wet the appetite.

Friday, June 15, 2012

The Confusing Land Of Minoitaniga

I was beginning to get concerned that I may be suffering from writer's block as I was struggling to come up with the main story for the imaginary world of Minotaniga (in terms of tying everything up while abiding by the rules of fairytales) and had a lot of unanswered questions to solve. For example who is Maliglut (the Darth Vader of the film), what does he want, why does he need it and why does he want to destroy Henry?

The difficulty was that the answers had to have a duel purpose and resonate in the real world as well. However with a bit of research leaning towards a few steampunk influences and some common sense, I came to the conclusion that Maliglut has stolen the sacred liquid crystal from the Guardians of Minoitaniga, which will allow him to see into the future.

However when Henry arrives in Minoitaniga Maliglut's vision into the future is blocked. The only way to unblock it, is to destroy Henry. Unfortunately Henry needs to get the liquid crystal off Maliglut in order to save the Guardians of Minoitaniga who will then give him the Voydarkatron blood to cure his Great Uncle Geoffrey's writer's block.

Following me okay? No I didn't think so. Rest assured it will all make perfect sense soon enough!